Luminari
Philip Bouwsma returns with yet another great manifestation of historical calligraphy. Luminari is an amalgam of High Middle Ages writing, a blend that combines the ornate Church hands with the simple Carolingian from the...
font_category: blackletter
Ye Olde Block NF
Lewis F. Day, in his book Alphabets Old and New, offered this typeface as an example from sixteenth-century England of lettering incised in wood. The font is essentially monocase, but there several lowercase letters...
Kynges X NF
This luscious, loopy Lombardic face was inspired by an offering in the 1938 classic, Letters and Lettering by Paul Carlyle and Gus Oring. Suitable for formal or informal occasions. Both versions of this font...
Albo
Albo is part of a new set of typefaces inspired in ancient documents from Portuguese 15th and 16th century books. Based on a document from Afonso d’Alboquerque (Goa, July, 1514), Albo was designed to...
Edda Morgana NF
In the 1921 work Letters and Lettering by Frank Chouteau Brown, these letterforms were offered as examples of typical medieval English fare. The font is all caps, but there are variant letterforms in all...
1742 Civilite
In the late medieval period appeared a “semi-cursive” writing, the French “écriture de civilité”. Quickly, it is carved and melted down in lead for printing. It is a very elegant running font, with numerous...
1462 Bamberg
Font designed from that used in Bamberg by Albrecht Pfister, in early years of printing, exactly for a book titled “Ackermann Von Böhmen” writen in old German by Johannes Von Tepl, and decorated by...
1484 Bastarde Loudeac
Font designed after that used in Brehan-Loudeac (Britanny, France) by Robin Fouquet and Jean Crès in years 1480s to print a lot of texts and books. This font include “long s”, naturally, as typically...