Tritura is my personal take on textura fonts. Several methods of drawing were used, both analog and digital, to bring its overall rough feel. Each and every character was designed not from historical references,...
by · Published May 26, 2015
· Last modified December 28, 2022
Frederic Goudy designed this blackletter face based on Gutenberg’s 42-line Bible. The Lombardic Caps were designed as an accompaniment to Goudy Text and are offered paired with the lower case as an alternate option....
by · Published May 26, 2015
· Last modified December 27, 2022
Carnegie Classic differs from Carnegie 1 & 2 in that the capital letters are larger in height; several connecting strokes and letter shapes have also been refined. Classic also has many more ligatures and...
by · Published May 26, 2015
· Last modified December 28, 2022
This family was inspired by the two fonts used by the famous William Caxton in Westminster (UK) in the late 1400s. There is only one (Normal) style. We have added the accented characters and...
by · Published May 26, 2015
· Last modified December 28, 2022
Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the ‘traditional’ backward looking printers of the day.
by · Published May 26, 2015
· Last modified December 28, 2022
Inspired by 11th 12th century Carolingian hand drawn cursive. Elegant and clearly legible this italic looks well in large or small sizes for formal or informal use.
by · Published May 26, 2015
· Last modified December 28, 2022
Lewis F. Day, in his 1910 classic Alphabets Old and New, filed this work by Laurence Schall under the category of Celtic-inspired, and surely it is both. This font included a few special extras,...