This typeface is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a teacher of graphic arts for more than three decades in Zurich, is author...
by · Published May 26, 2015
· Last modified November 6, 2024
Morris Fuller Benton started the Bodoni revival with this version for ATF in the early years of the 20th century. We consider it the first accurate revival of a historical face for general use....
by · Published May 26, 2015
· Last modified October 30, 2024
Joy Redick designed Blackoak, a big and heavy Egyptienne-sytle titling slab serif face, in 1990. The extremely robust style of the characters in this typeface was consciously distorted; creating letterforms that appear flattened and...
by · Published May 26, 2015
· Last modified November 4, 2024
British designer Jeremy Tankard began Blue Island in 1996 with the idea of creating a completely ligature-based roman typeface, an original but complex task that took years to realize. Individually, Blue Island’s letters can...
by · Published May 26, 2015
· Last modified November 4, 2024
Birch was designed in 1990 by Kim Buker Chansler, who based her forms on the designs of the turn of the 20th century. The new age needed new typefaces for an ever-increasing commerce and...
by · Published May 26, 2015
· Last modified May 15, 2024
Berkeley was originally designed under the name of Californian by Frederic W. Goudy in 1938 for the University of California Press in Berkeley. The UC Press still owns the original typeface, and the 1983...
by · Published May 26, 2015
· Last modified November 6, 2024
Bernhard Modern was designed in 1937 by Lucian Bernhard for ATF. It is his personal version of the small x-height engravers’ old styles popular at the time. A perennial best-seller, Bernhard Modern remains popular...
by · Published May 26, 2015
· Last modified October 30, 2024