Progreso
Progreso is a condensed, unicase, serif gothic type design inspired by the hand-lettering on Russian posters from the 1920s. Supports most European languages, including modern Greek and most languages that use the Cyrillic alphabet.
font_category: decorative
Mijas
Mijas Ultra font was designed specially as a headlines and caption text for advertising, packaging and Publishing design. It has strong visual impact, a persuasive personality and seduction appeal throughout its organic shapes. This...
1781 La Fayette
This font was inspired from the numerous font-types looking like Hand-carved in the 1700’s. The capitals are mainly inspired from the font carved by Fournier in year 1781, the year of the famous American...
Signque
Signque is a contemporary sans serif typeface based on geometric shapes. The persistent tension between precise lines and accurate curves as well as the ongoing contrast between open and closed contours constitute the main...
Mia Mano
Based on designer’s own handwriting, Mia Mano is a decorative display typeface ideal for headlines, logos, magazines, posters and short text.
Idiom
Idiom is an extra-condensed, tightly spaced display face with congruent forms exuding a strong sense of rhythm and elevation. The basic stenciled geometric shapes are reminiscent of the decorative style found with P22 Albers...
Lonely Cowpoke
Inspired by circus billboards, old west posters and torn paper constructs, “Lonely Cowpoke” is an oddity of bold graphic forms and cheerful curving lines. Revelling in its own quirky nature, this playful font lightens...
Quandary
The Quandary Font is created for a horror theme in use with an illustrated book ‘The Predicament’ by Edgar Allan Poe. It is designed as a highly expressive face to accentuate a sense of...
Majordomo
Majordomo font is a font that was based on a vintage unnamed alphabet I found in an old font book. I traced it and added serifs and weight. Majordomo is a person who speaks,...
Spillsbury
Spillsbury was inspired by some examples of 1920s signwriting (principally seen on the side of some vintage vans-good thing they were in a photograph and not on the move!). Spillsbury draws inspiration from these...