font_category: decorative

Cal Insular Majuscule

Cal Insular Majuscule font

Calligrapher Insular Majuscule Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Insular Majuscule calligraphic style. This font is...

National Currency

National Currency font

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

KG Flavor And Frames

KG Flavor And Frames font

Adorable accents for your work including frames, labels, chevrons, mustaches, and more!

Rocha

Rocha font

Belta

Belta font

Belta is a decorative all-caps handwritten font, perfect for display use. It is available in light, regular and bold, providing a wide range of possibilities and combinations since the glyphs vary from one style...

Aloha Script

Aloha Script font

Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and...

Piel Script

Piel Script font

Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked...

Scaramouche

Scaramouche font

Scaramouche is a decorative and playful connected script. Scaramouche family has three weights and matching ornament sets. For the best price, purchase the whole family. Scaramouche has plenty of alternate characters; click on Swash,...

Legere

Legere font

Legere is a slim, light and decorative font, based on the idea to work as close as possible on the geometric forms of the circle, the triangle and the square. As a natural conclusion...

Aspidistra

Aspidistra font

Aspidistra is a modern vintage typeface; which is to say a Studio K original with a period feel: it has a strong Art Nouveau influence (a distant cousin of Arnold Bocklin). Why Aspidistra? In...