Huxley Vertical meets Peignot in this stylized cap/lowercase hybrid design called Ambule. French designer Julien Janiszewski has created a clean, straightforward design that is strikingly effective in both text and display settings. Ambule Oblique…
by · Published July 11, 2019
· Last modified December 28, 2024
A meeting of Byzantine and Art Deco forms, Aphasia began as a series of handwritten captions to accompany drawings in the early 1990s. The drawings were abandoned to allow the lettering to become the...
by · Published July 11, 2019
· Last modified December 28, 2024
This freeform exercise in typographic design echoes the looseness of early 1960’s advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are...
by · Published July 11, 2019
· Last modified December 28, 2024
Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.
by · Published July 11, 2019
· Last modified December 28, 2024
The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn’t enough, Brian then...
by · Published July 11, 2019
· Last modified December 28, 2024
Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at Letterror.
by · Published July 11, 2019
· Last modified December 28, 2024