Stereo was designed by Karlgeorg Hoefer and built with an unusual understanding of the play of casual form in building a fictional third dimension. A powerful exercise by a master of figure-ground relations, Stereo...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Sans-serif with ornate, swashy capitals, AcornSwash is an elegant decorative face. The differences between the two versions of the font are in letters I, Z, a, e, f g, j, k, and o.
by Staff · Published May 26, 2015
· Last modified May 19, 2024
This font invites you to play with it. The Real version has longer tails, while the Roman version cuts them up to make the font more suitable for text. The Script version connects the...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
First drawn in 1993 by Tobias Frere-Jones for Neville Brody’s Fuse magazine, FB Reactor combines abraded forms with Tesla’s theory of destruction through accumulating rhythmic points of noise. The ‘Derelict’ style offers choices of...
by Staff · Published May 26, 2015
· Last modified October 16, 2015
Rave v. To talk wildly, as in a delirium; to talk or write with extravagant enthusiasm; to utter as if in madness. This wildly delirious, extravagantly enthusiastic, utterly mad typeface was drawn by Ken...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Leslie Cabarga’s Raceway descends from three-dimensional jig-sawn plywood letters, automatically spaced and aligned on a slotted board by the connecting stroke. Even strokes and curves combine with everpresent horizontal strokes to create a…
by Staff · Published May 26, 2015
· Last modified May 19, 2024