Designed at ParaType in 1989 by Vladimir Yefimov based on Advertisers Gothic, 1917, by Robert Wiebking, inspired by Art Nouveau lettering. For use in advertising and display typography.
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Schnitz is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by the Finnish artist Osmo Niemi, the characters seem...
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Sinah is part of the Take Type Library, selected from the contestants of Linotype’s International Type Design Contests of 1994 and 1997. Designed by the German artist Peter Huschka, Linotype Sinah is a...
by · Published May 26, 2015
· Last modified May 15, 2024
A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.
by · Published May 26, 2015
· Last modified May 15, 2024
Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a system of six fonts...
by · Published May 26, 2015
· Last modified May 17, 2024
This critique of the utilitarian is a perverse and disjunctive mash-up of thematic devices: sans mixed with serif, stroke contrast applied to techno armature, body parts displaced and elided. We are asked to admire...
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Seven is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Christian...