Anasdair
Anasdair is a semi-serif text face that maintains its calligraphic origins. Its wide uppercase characters display an even, mono-spaced appearance. The design of the lowercase letters couples this rhythm with large apertures and tall...
font_category: decorative
Anlinear
Anlinear is part of a series of constructed typographic experiments from the young Swiss designer Michael Parson. In the Anlinear family, which contains three separate weights, Parson has successfully created a fabulous display of...
Vespers
I decided to create this font because I liked the Bjork logo on the Post album. It was designed by Me Company. When I heard that it wasn’t a font, I made it.
P22 Salon
P22 Salon was originally inspired by Art Nouveau lettering. In the development of the three fonts (P22 Salon Full, P22 Salon Inner and P22 Salon Shadow) they began taking on a slightly more modern...
P22 Typewriter
This font is not overly distressed, nor is it overly clean. It is a typewriter font. It is perfect when you want a document to look like it was made on a typewriter. This...
P22 Vidro
Vidro is a glass technique introduced by the Dutch in Japan in the 16th century. Vidro glassworks, such as decorations and children’s toys, enrich the live of Japanese people. P22 Vidro is comprised of...
Zephyr
Zephyr is a sinuous Roman font available in both Regular and Openface (inline) versions. This classically inspired font set conjures up a gentle, relaxing breeze from the West and Southwest. Subtle and not-so-subtle variations...
P22 Mucha
P22 Mucha is inspired by the free-flowing lettering styles of art Nouveau master Alfons Mucha, circa 1900. This font adapts his distinctive style into a new organic type suitable for many occasions. Mucha evokes...
P22 Dwiggins
Dwiggins Uncial is based on calligraphy by William Addison Dwiggins that he created for a self-penned short story, which appeared as an insert in the book-arts publication The Dolphin in 1935. This self-described “experimental...