“When you push the stage props of the life aside, there will remain the truth …” Ambient is a deconstructed sans-serif font, which captures the essence of basic Roman letterforms … with a few...
by · Published May 26, 2015
· Last modified October 19, 2015
Huxley Vertical meets Peignot in this stylized cap/lowercase hybrid design called Ambule. French designer Julien Janiszewski has created a clean, straightforward design that is strikingly effective in both text and display settings. Ambule Oblique…
by · Published May 26, 2015
· Last modified September 27, 2015
This freeform exercise in typographic design echoes the looseness of early 1960’s advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are...
by · Published May 26, 2015
· Last modified May 19, 2024
Presidio is a stylized version of the hand-lettered calligraphy typical of the Mission era of early California. This lettering was often unique to an individual hand, but the characters shared a common style, and...
by · Published May 26, 2015
· Last modified December 27, 2022
This font was inspired by the embossed lettering on cigar boxes. The letters, or entire words, are often surrounded by raised dots, and that was our idea here. We drew this about 1997, and...
by · Published May 26, 2015
· Last modified December 27, 2022
Many fonts have carried this name. Ours goes back to just before 1900 in France. This general style had considerable popularity among job printers all over Europe. We have even seen it used for...
by · Published May 26, 2015
· Last modified May 19, 2024
The Craftsman font is a faithful reproduction of the logo, or Title typeface used for Gustav Stickley’s “Craftsman” Magazine, the foremost journal of the American Arts & Crafts Movement during its publication years of...
by · Published May 26, 2015
· Last modified May 19, 2024
Batchelder Ruff is a “battered” version of the typeface used for titling in the catalogs and advertising of the Batchelder Tile Company in Pasadena, California in the 1920s. The original source characters were smoother,...
by · Published May 26, 2015
· Last modified December 27, 2022
This interesting type was introduced by the Chicago firm of Marder, Luse & Company in 1890, about the time designers were beginning to lose some of the excessive ruffles and flourishes that characterized the...
by · Published May 26, 2015
· Last modified December 27, 2022
A neat face with pronounced spur serifs which several foundries have already digitized. We like ours better though, because we have drawn a lowercase which was lacking in the original. Barnhart Bros. & Spindler...