Hasta La Pasta NF
This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply “Spiral”. The ragged contours on the original face have been smoothed...
font_category: decorative
Tourist
MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!
Tuscan Gothic
This is a Vanderburgh and Wells wood type cap font from 1877. We don’t know if the originators made a lowercase for it, but we did. Most effective in larger sizes.
Moritz
Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.
Riviera
This is derived from the Marder, Luce foundry’s face called Rivet. A nip and a tuck here and there plus the addition of a lowercase make this into a potentially useful font.
Seminary
This began life as a European font that was copied in the United States by Bruce’s Type Foundry in 1885. It was caps only and had a fine line “three-D” shadow. We scrapped the...
Futura Black
Josef Albers drew a stencil sanserif form at the Bauhaus in 1923 (published in 1926); Paul Renner and the Bauer design office made a similar design into a typeface in 1929, and rather confusingly...