Brigitta
Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.
font_category: decorative
Constanza
Constanza is a joining high-contrast-script, extreme ascenders and descenders for added personality some descenders swing under its neighboring letters. The font can be used together (mixed) with Dalia and Elisara.
Sidewalk Cafe BF
Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco. Though developed from a few hand-lettered words found on a 1930s poster, it retains a contemporary flavor. The shaded version...
Adams
Adams is a revival and major expansion of Dolf Overbeek’s Studio typeface and Flambard, its bold counterpart, originally published by the Amsterdam Type Foundry in 1946 and 1954. This digital version adds small caps...
Surely You Jest NF
A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called “Arbor”. The distinctive decorations of the face suggested a fool’s cap, and thus the font got...
Jonah
Jonah is a digitization of the early 1970s Urban film face from Franklin Photolettering. Though there seemingly is no record left of who the original designer of the font was, it strongly exhibits the...
Rough Riders
Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s....
San Marcos NF
In his book Victorian Display Alphabets, Dan X. Solo called this specimen “Marquette”. This unicase version features a complete character set, and is named after a favorite watering hole in Texas on the Guadeloupe...
Shady Lady NF
The 1907 Barnhart Brothers & Spindler type specimen catalog called this unique typeface simply “Umbra”. Since that name is already taken, it now has another. Due to the highly ornate nature of this face,...
Tara Bulbous NF
This new and improved version of this chunky classic by Paul Carlyle and Gus Oring includes the lowercase letters not found in earlier versions. Use it to add a little—or a lot of—panoramic panache...