Designed for the Glasgow 1999 typeface competition, Factory explores the idea of taking elements from Gaelic letterforms (as an historic British typestyle), such as the use of cut-off curved forms that suggest the action...
by · Published May 26, 2015
· Last modified December 28, 2022
A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space....
by · Published May 26, 2015
· Last modified October 30, 2024
Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too soft...
by · Published May 26, 2015
· Last modified October 12, 2015
A script typeface drawn with a ball point pen, beautiful but idiosyncratic, distinctively modern rather than classical, writing rather than calligraphy.
by · Published May 26, 2015
· Last modified May 18, 2024
An unannotated photocopy tucked inside the leaves of an old lettering book yielded this unusual and exuberant Art Deco face. The caps feature a simple “bubbly” pattern that makes this offering pack a punch,...
by · Published May 26, 2015
· Last modified May 18, 2024
The pattern for this graceful, subtly modulated Art Deco typeface was designed by Willard T. Sniffin for American Type Founders in the 1930s. True to the original design, the Swash Caps version features Sniffin’s...
by · Published May 26, 2015
· Last modified December 28, 2022