Lo-Type was designed by Louis Oppenheim and first released by Berthold in 1914. In 1980 Erik Spiekermann adapted the faces and expanded the family with the addition of a regular weight. Subtle deviations and...
by · Published May 26, 2015
· Last modified October 5, 2015
Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters...
by · Published May 26, 2015
· Last modified December 28, 2022
This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for...
by · Published May 26, 2015
· Last modified September 21, 2015
Natalya Swashes provides a diverse set of flowing swashes and ornaments originally designed to complement the popular insigne script Natalya. The basis point for Natalya’s ornate swirls is the golden ratio, and this makes...
by · Published May 26, 2015
· Last modified December 28, 2022
Sketch Block is a hand-sketched headline font. The family contains a light and bold weight; both complement each other perfectly. The mundane, constructed basic forms of the egyptienne typeface get their charming touch by...
by · Published May 26, 2015
· Last modified December 28, 2022
The Fuel Script typefaces turn the modern update of a techno sans towards that of baseline automotive script lettering with retro stylings while retaining the same soft rounded corners and decorative inktraps. Stylistic Alternates...
by · Published May 26, 2015
· Last modified October 17, 2015
Designed by Gustav Jaeger in 1982, Cosmos is an interesting sans serif with terminals that seem to fade rather than come to a distinct end. This characteristic, however, does not distract the reader. Jaeger...