It hit me one day that the ’60s-vintage labelmaker I had lying around might make an interesting display face. I began playing with it — clicking out letters at various pressures, scanning the results,...
by · Published May 26, 2015
· Last modified December 28, 2022
No need to explain. This is the best stencil script. Consists of two styles, Clean and Stenciled effected. Including OpenType titling alternates. Please check the instruction in the Galley tab.
by · Published May 26, 2015
· Last modified May 19, 2024
The reductive features of twentieth-century sans-serif display typefaces are nothing new. But how far can a design trend go before running out of steam? Steam power was the last thing Typodermic principal Raymond Larabie...
by · Published May 26, 2015
· Last modified December 28, 2022
We are calling for a boycott against petty power struggles. Uppercase and Lowercase are slightly different from each other. This grungy font won prize at the best font 2006 and new Rising Star at...
by · Published May 26, 2015
· Last modified May 18, 2024
This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau...
by · Published May 26, 2015
· Last modified May 18, 2024
Blandford Press strikes again, with a delightful, delicious, de-lovely offering from their 1946 tome, Lettering for the Commercial Artist. The editor, A. H. Hunter, called this one simply “The Elegant Alphabet” and cautioned that...
by · Published May 26, 2015
· Last modified May 19, 2024
Typedesigner Hannes von Döhren created Cowboyslang, a display typefamily with a Wild West flair. It consists of three widths plus fitting ornaments. Although it is based on the slab serif typefaces from the nineteenth...
by · Published May 26, 2015
· Last modified May 19, 2024