Crewekerne Magister
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
font_category: decorative
Crewekerne Magna
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
Warrior
Warrior is a chunky typeface design inspired by a Russian Egyptian-style block alphabet (original designer unknown). Now available in seven weights (Hairline, Extra Light, Light, Medium, Regular, Bold, Black) in addition to three decorative...
Crewekerne
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
Deutsche Poster
a naive font inspired in a vintage publicity poster
Graphic Stylin NF
The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller...
The Donald NF
Something about the swoopy loops in the uppercase characters of this typeface, originally called “Ronde”, reminds one of the signature ‘do of a certain real-estate-mogul-turned-TV-celebrity, and so this font was named. Delightfully different, this…
Soupirs
Soupirs is a stencil font family of 310 vernacular ornaments. These have been redesigned from existing decorative soupiraux* found in the streets of Bordeaux (France). This collection is an eclectic mix of forms with...
Witchfinder
This font family is the first collection of almost all pictograms, signs and letters that refers to the topic of White Magic, witches and witch hunt. There are plenty of witch symbols, astrology signs,...
Venice Initials
Venice Initials are my redesign of a 15th century venetian original by an unknown calligrapher. Unfortunately only parts of the letters existed, so I had to design about half of them myself. Of course...