An unconecting script face that closely resembles hand written with a fountainpen. It was expressly designed for informal applications such as invitations, notations, side boxes and hand written personal cards.
by · Published May 26, 2015
· Last modified December 28, 2022
This roman face is suitable for text and captions. Designed for the graphic designer that is looking for a new and different text font as well as captions. It can be closely kerned.
by · Published May 26, 2015
· Last modified December 28, 2022
Old Face Open (Fry’s Shaded) is a decorative Baskerville which was probably cut by Isaac Moore for Dr Fry ca 1788; a revival was issued in eight sizes by Stephenson Blake in 1928. The...
by · Published May 26, 2015
· Last modified December 28, 2022
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.
by · Published May 26, 2015
· Last modified December 28, 2022
Sabtine is a somewhat grungy connecting handwriting font – Watch it bounce up and down! I’ve included a good handful of autoligatures and swashes. You will need to use OpenType supporting applications to use...
by · Published May 26, 2015
· Last modified May 19, 2024
Here’s a typeface that’s both primitive and playful. It could aptly be described as having a modest bounce, unusual web feet, and a slightly grotesque croak. Joking aside, this amphibious creature-font is ideally suited...
by · Published May 26, 2015
· Last modified May 18, 2024
Mark van Bronkhorst’s MVB Sacre Bleu was inspired by an example of French handwriting from the 1930s. With a goal to keep the script as authentic as possible, the font includes a number of...
by · Published May 26, 2015
· Last modified December 28, 2022
Fry’s Ornamented is a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796. Stephenson, Blake & Co. acquired the type in 1905, and in 1948 they...