Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces...
by Staff · Published May 26, 2015
· Last modified April 17, 2024
“My goal was to make a design that might fit in anywhere,” says Jim Ford about his Quire Sans™ typeface. “I wanted it to be highly functional and sexy at the same time.” With...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Right on the heels of the tremendous popularity wave that made Hollandse Mediaeval the most used Dutch typeface during the Great War years, Sjoerd H. de Roos was asked to design a 15 point...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Toshna is a classic garaldic typeface family offering three real optical type sizes. The Display weight for titles and headlines is kept very tall, thin and graceful. The Book weight for body text is...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The Torrent family is a multi-purpose typeface with large wedge-formed serifs. Its letters have large x-height and wide-open counterforms. Some joins have been opened up, too – between the straights and the diagonals of...
by Staff · Published August 8, 2009
· Last modified December 28, 2022
Livory is a serif type family of four fonts including small caps, 25 ornaments & 50 ligatures in each style. It was designed by Hannes von Döhren & Livius F. Dietzel between 2005 and...