Fortis
Formerly named Atlas, Fortis is a 21st century contemporary Latin. Also categorized as a Glyphic, the design was first introduced in the last half of the nineteenth century and is characterized by large, sharp,...
font_category: glyphic
PF Hellenica Pro
The Golden Age of the Greek Civilization. The world’s history carved on stone. Hellenica Pro was created based on numerous photos from archaeological sites and several other historical references dating back to 1100 B.C....
Displace
New version of Displace available now. Displace 2.0 is a display sans-serif font family. Displace 2.0 is a humanistic sans-serif based on the calligraphic shapes with a pronounced handwriting contrast and open forms typeface....
Isabelle Pro
Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were cut short by the...
Espuma Pro
Espuma Pro is a soft and friendly humanist sans-serif font family with strong calligraphic aftertaste. Presented in 7 weights, with true italics each, it features the traditionally rich language support, small caps, 6 sets...
Lavery
Lavery is a calligraphic display face, drawing its inspiration from the designs of the early years of the 20th century. It has an extensive range of ligatures and other opentype features and a delightfully...
LP Saturnia
After designing two script fonts (lp Pinselschrift, lp Bambus), Peter Langpeter has now drawn an elegant Antiqua font, namely lp Saturnia, derived and conceived from his work in developing headlines and logos. The aim...
Beorcana Pro
Beorcana can be classified as a serifless roman, a stressed sans, a glyphic sans, or calligraphic sans. However it is classified, Beorcana derives not only from other stressed sans designs like Lydian, Amerigo and...
Beorcana Std
Beorcana can be classified as a serifless roman, a stressed sans, a glyphic sans, or calligraphic sans. However it is classified, Beorcana derives not only from other stressed sans designs like Lydian, Amerigo and...
Lancelot Pro
When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn’t let go of metal type, even though he was just as proficient in digital type....