Free Fonts
SemikolonPlus: Optimal readability by reduced, distinct letter forms. Appropriate for early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is…
The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the...
Classica Pro by Bernd Möllenstädt A real alternative for letterpress printing A masterpiece It was only after many years, shortly before the end of his life, Bernd Möllenstädt brought out these early drafts of...
Foundry Sterling is a functional and eloquent typeface family that has its origins in the desire to create a modern sans design with a quintessentially English flavour. The letterforms have been designed with particular...
This humanistic sans serif design was inspired by a conversation that David Quay had with renowned type designer Hans Meyer, during ATypI in Paris, 1989. Meyer revealed that Sabon, designed by Jan Tschichold, was...
Foundry Journal is appropriately named for its intended purpose in journals, magazines and publications, where narrow column measures require a more condensed typeface, for the most economic use of page space. Foundry Journal has...
Foundry Form Sans and Serif were drawn concurrently with matching proportions for harmonious use. Although designed to complement each other both families function independently. The Foundry Form Sans characters have a strong horizontal emphasis...
Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure...
The original superellipse typefaces coincided with the emergence of the CRT (cathode ray tube) TV screen, but there is more than this visual analogy of high-tech in play, as the pumped up angularity of...
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only designs with almost no stroke...