Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held...
by Staff · Published August 31, 2019
· Last modified May 19, 2024
Aago is year-long project to create sans inspired by Positype’s popular Aaux Next typeface, but not beholden to its previous conventions. 54 fonts spread across 3 widths, 9 weights, and each with matching italics....
by Staff · Published August 31, 2019
· Last modified December 27, 2022
The concept of a bold connected script with a hand lettered feel has been on my bucket list for decades. I imagined a pretentious, ornate, swashy look, a variety of word-end embellishments, heaps of...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Rigatoni is a didone display family with exceptional readability. Based on a German mid-century lettering specimen by Nerdinger, designer Alejandro Paul expanded the face into an extensive family, with 5 weights, italics, and a...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
As good as Nylon is, there’s nothing better than a nice woolly blanket. The smell and coarse, uneven texture are relaxing and feel reassuring. More comfortable. In a world where technology can reach millimetric...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Alejandro Freitez’s first commercial typeface is inspired by contemporary serifs and newspaper typography. Calicanto is a compact typeface with strong serifs, symmetrical curves and a vertical axis. It has open counters and a generous...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
The Dutch word “leuk” translates loosely to English as pleasant, jolly, funny, witty, clever, nice, sweet, kind, nice, amusing, entertaining, and funny. Leuk, the font, is a small, highly legible font with a witty,...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Cyan Neue is a substantial update variation to the original Cyan we launched in 2006. Most notably the contrast has decreased making it more contemporary. Many glyphs have been improved especially in the italics....