Mucho Sans is a geometric sans serif type family that comes in six weights with matching Italics. The design is very clean, yet friendly and modern. Some of its characteristics are the generous x-height,...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
Epilepsja is an all-caps type family perfect for display works. It has been derived from stencil-sprayed and painted letters in the city space. The glyphs are simple but unordinary. Every letter has something from...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
Linger Serif is a tall and friendly handwritten typeface with a simple structure and low contrast. It is the serif version of Liniga. Works well for both display and body text.
by Staff · Published October 10, 2015
· Last modified December 29, 2022
The idea behind Nolan is to create emotional response due to its inviting character and legibility. It is ideal for headlines, presentations, product signage and bespoke logotypes. Due to the structure of the letters,...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
A modern calligraphy typeface with a playful yet elegant style, inspired by Mozart’s “Rondo Alla Turca” and his other compositions played with allegretto tempo. The font contains more than 1000 glyphs. Each letter in...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
RNS Miles font family combines geometric shapes, open forms and grotesk mood for achieve a harmonic, neutral and low contrast shapes. Clearly influenced by Modernism it’s designed specially for headlines, titles and subtitles. The...
by Staff · Published October 10, 2015
· Last modified December 28, 2022
Pontiac is a sans serif OpenType font designed by Fanny Coulez and Julien Saurin in Paris. Pontiac is a functional font with something more, something warm, geometric but human, something distinctive, something French finally....
by Staff · Published October 10, 2015
· Last modified December 29, 2022
The new typeface system is based on legibility of Renaissance and Baroque Antiqua. It maintains the quality of drawings without an overpowering historical legacy. The current concept makes the system a universal whole. Abrading of...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
The new typeface system is based on legibility of Renaissance and Baroque Antiqua. It maintains the quality of drawings without an overpowering historical legacy. The current concept makes the system a universal whole. Abrading of...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
Averta Standard is the basic version of Averta. Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding)...