FF Enzo
Swedish type designer Tobias Kvant created this sans FontFont in 2008. The family has 10 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing,...
font_category: legible
FF Daxline
German type designer Hans Reichel created this sans FontFont in 2005. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial...
Big Noodle Titling
A generic set of capitals built on the gothic even width principle, built from squared forms and a simplified finish, Big Noodle Titling delivers excellent clarity in any medium. Big Noodle’s key features are...
Geogrotesque
Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an...
Deva Ideal
Deva Ideal was inspired by women’s beauty. It didn’t come only from the desire to create a new typeface. It also seeks to materialize beauty in a visual form. Instead of imitating the shapes...
Dederon Serif
Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration – particularly its weight and width proportions – can be traced to the Liberta typeface from the...
Dederon Sans
Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration — particularly its weight and width proportions — can be traced to the Liberta typeface from the...
Zemestro
Zemestro from 2003 was one of the first of the new “squarish sans-serifs”. Its designer David Farey says: “There’s nothing calligraphic about it, and there are no defining or identifiable single characters – it’s...