Although initially designed as a rational/geometric font, Triplex developed into one of Zuzana Licko’s most intuitive typeface designs at the time. Its first extensive use was in Emigre magazine #14, a special issue devoted...
by · Published May 26, 2015
· Last modified December 16, 2024
Zuzana Licko’s goal for Fairplex was to create a text face which would achieve legibility by avoiding contrast, especially in the Book weight. As a result of its low contrast, the Fairplex Book weight...
by · Published May 26, 2015
· Last modified December 16, 2024
The famous roman type cut in Venice by Nicolas Jenson, and used in 1470 for his printing of the tract, De Evangelica Praeparatione, Eusebius, has usually been declared the seminal and definitive representative of...
by · Published May 26, 2015
· Last modified December 28, 2022
Edita is a gentle typeface, humanistic in concept yet with a contemporary feel, where softness and fluidity play a very important role. This can be seen especially in its italics, which are loosely based...
by · Published May 26, 2015
· Last modified May 15, 2024
In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by...
by · Published May 26, 2015
· Last modified December 28, 2022
The inspiration source for Ruse Monogram is a unique letterset called “DeRoos Inline” from an old type specimen tearsheet. To create more monogram versatility in the design, a solid version, as well as a...
by · Published May 26, 2015
· Last modified December 28, 2022
Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a ‘Brave New World’ sprit that harks back to the 1930s and possibly also to postwar rebuilding in...