Candida
German designer Erbar drew the Candida typeface for the Ludwig & Mayer foundry shortly before his death in 1935. The typeface was released posthumously in 1936. An italic designed by Walter Höhnisch was published...
font_category: legible
Brush Script Std
Brush Script was designed in 1942 by Robert E. Smith for American Type Founders. It has a spontaneous, brush-written look, and the lowercase letters are connected as in handwriting. Brush Script is ideal for...
PMN Caecilia
PMN Caecilia™ is the premiere work of the Dutch designer Peter Matthias Noordzij. He made the first sketches for this slab serif design in 1983 during his third year of study in The Hague,...
Bauer Bodoni
Firmin Didot cut the first modern face about 1784 in Paris; Giambattista Bodoni followed prolifically on his heels; his punches and matrices survive in Parma. Bauer has produced the most faithful and delicate contemporary...
Bell Centennial
Designed specifically for AT&T by Matthew Carter at Mergenthaler to replace Bell Gothic with a typeface that made effective use of digital typesetting technology, Bell Centennial gets several more lines per page than Bell...
Avenir
In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th...
Albertus
Berthold Wolpe’s innovative design undertaken for Monotype in 1932 suggests the texture of letters cut in wood. Albertus can be seen as Morison’s improvement of Othello, Monotype’s 1928 copy of Neuland, executed by Pierpont.
DeLuxe Gothic
Bank Gothic being a longtime font favorite of his, Michael Doret was always disappointed that Morris Fuller Benton’s classic didn’t contain any lowercase characters. So he set out to remedy that by designing his...
Altura
Uncommon-serifs with common Glyphs. Recommended for posters, titles, book covers, books, greeting cards, signage, packaging, invitations, magazine articles and advertising.
Minuscule
Minuscule was inspired by Émile Javal’s research into the physiology of reading. He was a 19th-century opthalmologist, the first to analyze how we read. Minuscule characteristics are large x-height, robust slab serifs, vertical stress,...