font_category: legible

Gelder Sans

Gelder Sans font

A clean modern sans serif typeface. The balanced proportions of each character demonstrate great legibility at both small and large scale. The distinctively open apertures further improves visibility when used across the web and...

PT Serif Pro

PT Serif Pro font

PT Serif Pro is an universal type family designed for use together with PT Sans Pro family released earlier. PT Serif Pro coordinates with PT Sans Pro on metrics, proportions, weights and design. It...

Monarch

Monarch font

Looking for a royally fun font? A dash of elegance with a dose of quirkiness – not unlike our modern day royal types.

Carbonara

Carbonara font

Carbonara. Nope, it’s not the pasta sauce, but a nice, grungy typewriter font, made using a pre-war typewriter, some oil and a stack of old-fashioned carbon paper sheets. You can use it to give...

Ambassador

Ambassador font

Hairline display fonts are elegant and subtle with touch of luxury. They are the Champagne of type. Ambassador represents a classy typeface best suitable for magazines, cosmetics packaging, advertising or any kind of fine...

Legionary

Legionary font

Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.

Kusukusu

Kusukusu font

Kusukusu means ‘chuckle’ or ‘giggle’ in Japanese. It is a feminine, hand written font with a happy feel to it. Kusukusu comes in different styles, has all the diacritics you need and has been...

Tinman Pro

Tinman Pro font

TinmanPro is a mildly stressed humanist sans serif type based on the University of California Oldstyle type designed by Frederick Goudy. The design captures the warmth and friendly character of Goudy�s original in a...

Centim

Centim font

Centim is contemporary sans with sharp top endings of stems that give a bit technical charm to typeface. With a squarish look, it can be used widely in all modern publications or become a...

Raldo RE

Raldo RE font

Quite unusual, Musenberg started his Raldo design with the italic. However, he managed to preserve the temperament and vividness of the italic in the roman without questioning the stability of the individual characters. Raldo...