Danish type designer Ole Søndergaard created this sans FontFont between 2000 and 2004. The family has 30 weights, ranging from Extra Light to Ultra in Condensed, Normal and Extended (including italics) and is ideally...
by Staff · Published May 26, 2015
· Last modified October 18, 2015
Dutch type designer Martin Majoor created this sans FontFont between 1993 and 2003. The family has 10 weights, ranging from Light to Black in Condensed and Normal (including italics) and is ideally suited for...
by Staff · Published May 26, 2015
· Last modified October 10, 2015
German type designer Jörg Hemker created this sans FontFont in 2011. The family has 16 weights, ranging from Extra Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Epitet, a subtle compact type family with a modern mixture of geometrical and simple shapes, comes in 6 weights, from Thin to Bold. It is a clean elegant sans serif typeface, with a small...
by Staff · Published May 26, 2015
· Last modified October 15, 2015
French type designer Xavier Dupré created this sans FontFont in 2006. The family has 14 weights, ranging from Hairline to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing,...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible, pan-european multilingual (Latin, Greek and Cyrillic), well shaped. Bandera Pro has six weights with original italics,...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
If you are looking for an expressive, witty and whimsical typeface, Dinzy Minzy will beckon to a change of pace for any designer looking to create space, time and lighthearted imagery. This typeface draws...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of...