Milan-based Leftloft studio developed LFT Iro Sans, an expansive family that solves the significant, wide-ranging challenges of branding, wayfinding, pictographic language, and complex editorial use. LFT Iro Sans began as the clear and welcoming…
Juan Bruce’s Noort is not a type family for wayfinding or mapmaking alone, but for clarifying information and engaging readers along their own journey. The information designer’s role is to bring clarity and style...
Protipo helps information designers work smarter. Veronika Burian and José Scaglione’s Protipo type family is an information designer’s toolbox: a low-contrast sans of three text widths with a separate headline family, accompanied by an...
Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are...
Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to...
Gomme Sans is a wide and masculine sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept...
Bio Sans is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of...
Bebas Neue is a free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. – Bebas Neue Pro has lowercases and Italics. – Bebas Neue SemiRounded are some...
Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts...
Commuters Sans is a daily type. Classic but Modern. Very simple geometry and wide type with warm clearness. Useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching...