Aeroko Variable
Meet Aeroko, a slick variable typeface that evokes grit and speed, a dynamic play, a future–present competitive edge that evokes motorsport and all progressive brand design. This is a robust type system that creates...
font_category: legible
Draft
Draft from Yellow Design Studio is a 144-font powerhouse type suite that’s smooth and confident with a decidedly modern edge. It features nine weights (Hairline to Black) and eight widths (A to H) for...
Cardium
Cardium is a hard-working 54-font modern geometric sans. It’s versatile, clean, legible, and slightly dissident. Cardium shares much of its DNA with our Draft type suite but is more utilitarian. It’s a comprehensive family...
Alisha
Alisha is an expressive yet legible script face with a generous x-height and a equally generous complement of over 200 alternates and swash forms. Alisha retains the distinctive look of custom lettering with varied...
Rhythmus Pro
Schelter & Giesecke’s grotesk font family, widely used for their marketing and in-house prints, now revived and extended with a Cyrillic character set and old-style numerals.
Circensis
Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and...
Carina Pro
Like Phenix out of the ashes the former Schriftguss hot-metal font „Rautendelein“ has come to live again. Carina Pro was carefully extended for multilingual use, and contains a few alternates which can be activated...
Dante Alighieri
From the great Schelter & Giesecke collection, Dante Alighieri is a splendid companion to Aldo Manuzio. With its rather condensed characters it makes an ideal body text font even for narrow columns. Dante Alighieri...
Orplid Pro
Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling...
Schreibmeister
Schreibmeister is my interpretation of Arno Drescher’s design for Ludwig Wagner, Leipzig, completed in 1958. The letters X and x were improved as well as some ligatures. The letter E has an alternative, and...