Bourton Text
Bourton Text is a modern sans-serif typeface family perfect for both text type settings and display purposes. While it’s not a layering type family like its brother, Bourton, it come packed with features, extras...
font_category: Modern
Bakewell
Bakewell is the 4th typeface of the Winslow Type System. It’s a low contrast sans-serif with ball terminals and a sweet disposition. The typeface includes a wide range of styles, widths and weights that...
Texta Pro
Because all good things can get better. Texta was born in 2014, a collaborative project of the study of humanist models from Edward Johnston to Adrian Frutiger. Texta Pro is a contemporary and rational...
Seriguela
Seriguela is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, each with 9 weights, as well as italics and reverse italics totaling 54 fonts.Seriguela is...
Amarga
The inspiration behind Amarga comes from the bitter taste of coffee.Amarga is a serif typeface with high contrast and pointed terminals, composed of 9 weights that range from a very heavy black version to...
Rhodes
Rhodes is a modern geometric sans serif consisting of 5 weights ranging from Extra Light to Bold with matching true italics. Its variety of weights provide a range of choices that will help you...
Zornale
The “Zornale”, is an original manuscript that contains a large amount of data, providing a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488.Zornale is a...
Castagna
Castagna is a contemporary calligraphic font with classical roots. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the...
Aliens & Cows
Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980’s science fiction movies, it features thin letterforms with a ultra wide spacing...
Stinger
Since their first appearance as Italians on the pages of the 1821 William Caslon type specimens, reverse contrast typefaces have been typography’s best loved quirky outcasts. Subverting the traditional relationship between thick verticals and...