Stadia is designed around a series of modular units: quartercircles, teardrop shapes, squares, circles and variations thereon. The versatility of these basic shapes is such that a teardrop, for example, can represent a looped...
by · Published May 26, 2015
· Last modified May 17, 2024
Ritafurey is an extended sans in seven weights, with characteristic low bowls on the P and R. Modern, sleek and corporate, but with a dash of character. It has been used on tech logos,...
by · Published May 26, 2015
· Last modified May 17, 2024
The capitals of Register share a similar construction to Morris Fuller Benton’s 1930 Bank Gothic for American Type Founders, but iron out the broader curves and add ‘ink traps’ to emphasise the machine aesthetic....
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Boberia is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Designed by Bo Berndal, its historical roots lie in the neoclassicism of the turn of...
by · Published May 26, 2015
· Last modified May 17, 2024
Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the conceptual...
by · Published May 26, 2015
· Last modified May 17, 2024