The challenge was to create a single typeface weight that was versatile enough without a large font family, and could be put to use with a variety of media formats, from book text to...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Ugocranis is a compact, angular headline typeface. Its letterforms were influenced by brutalist buildings from the twentieth century. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar…
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Sketch Gothic is a hand-sketched headline font. The family contains a light and bold weight; both complement each other perfectly. The mundane, constructed basic forms of the Franklin Gothic, get their charming touch by...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Here’s what I said about the original Ginza: Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper....
by Staff · Published May 26, 2015
· Last modified May 15, 2024
TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface,...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A bit grungy, a bit stern, 21 Emmerson is a tribute to my birthplace and was designed with punky headline posters in mind. The simple lines of this font are angular and sharp –...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A geometrical, modern, angular design inspired by the Greek Key. It’s complex yet simple, creating smooth, continuously flowing print. This font is well suited for headlines, posters, greeting cards, and much more.
by Staff · Published May 26, 2015
· Last modified April 8, 2020
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and...