Reservation Wide is intended for headlines with its relatively snug letterspacing and extended forms. Its simplicity will accommodate smaller sizes and lower resolution displays. OpenType Stylistic Alternates for characters ‘a’, ‘g’ and ‘t’ lend...
by · Published May 26, 2015
· Last modified October 13, 2015
Developing a new sans serif clearly distinguishable from existing sans serifs is a difficult task. Günter Gerhard Lange accomplished that with Imago, introduced by Berthold in 1982. It is narrower in proportion than others,...
by · Published May 26, 2015
· Last modified October 15, 2015
Bernd Möllenstädt’s first type design, Formata, was released in 1984. Instead of linear severity common to many sans serifs, Formata offers curved strokes and interesting details that are subtle in smaller sizes but distinguishable...
by · Published May 26, 2015
· Last modified October 19, 2015
Designed for Berthold by Gustav Jaeger in 1983, Delta Jaeger is a distinctive sans serif with strokes that are carved at an angle where they meet vertical strokes. Its legibility makes it an appropriate...
by · Published May 26, 2015
· Last modified October 2, 2015
The Corporate ASE trilogy combines three styles: Antiqua, Sans Serif and Egyptian, in perfect harmony. Each style stands on its own and the breadth and balance of the whole collection make it ideal where...
by · Published May 26, 2015
· Last modified October 13, 2015
Based on Berthold’s 1913 Berliner, Erik Spiekermann redesigned and digitized the typeface for the foundry. H. Berthold published Berliner Grotesk in 1979. This distinctive design with a high x-height, short descenders and rough edges...
by · Published May 26, 2015
· Last modified October 16, 2015