Morris Fuller Benton’s 1935 offering from ATF, entitled Raleigh Gothic Condensed, inspired this ultracompact masterpiece. Benton’s alternate characters are included in several lowercase positions, to add a little Art Deco sparkle to this versatile…
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This family of faces take their inspiration from the standard faces used by the Leroy® Automatic Lettering Machine, a mainstay for architects and draftsmen in Ye Olden Days of t-squares and triangles. Crisp, clean...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Browsing online auctions and other webs sites often unearths wonderful examples of lettering from the past. A perfect example is Ritz Stencil JNL, modeled after a page from a 1930s-era lettering book. Although this...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Ticketing is a monospaced font loosely based on the pixel style lettering of electronic ticketing, designed for clarity when cheaply printed at small sizes. Ticketing, however, has a larger x-height than is often found...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The Aspasia is a decorative low contrast sans serif type family suited both for editorial and corporate design, available in five weights, ranging from Thin to Black. It was designed by Mikus Vanags in...
by Staff · Published May 26, 2015
· Last modified October 4, 2015
Is it possible to design a font with a cutter? Yes! Rijeka consists of three font weights, Light, Medium and Bold, and includes 310 characters for 16 languages. Luzi Gantenbein designed the Font in...