This quasi-Chancery classic is a revival of Walter MacKay’s Heritage typeface, made for ATF in 1952. Walter is clean and legible free-flowing calligraphy with a subdued, conservative and traditional letterform base that can be...
by Staff · Published May 26, 2015
· Last modified February 27, 2020
If a sans serif roman and an uncial got together and had a type-baby, it would be Rieven Uncial. While it retains a richness and elegance found in traditional uncial forms, Rieven Uncial has...
by Staff · Published May 26, 2015
· Last modified February 27, 2020
Friendly and fun with hints of art nouveau and comic book lettering, Cody is based on and inspired by letterforms appearing in works by international artist Cody Chancellor. The letters playfully lean both left...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Sixtra is a font right out of the 30’s or 40’s of last century. I discovered a few letters on an old package for some obscure cutlery manufacturerer and made a font of those...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Rebekah Pro is a revival of ATF’s Piranesi family, the regular being designed by Willard Sniffin, and the remaining weights designed by Morris Fuller Benton. Tom Rickner first revived Benton’s Italic for use in...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Crestwood is an updated version of an elegant semi-formal script typeface originally released by the Ludlow Type Foundry in 1937. Crestwood is best used at larger sizes, and is wonderful for invitations and greeting...
by · Published May 26, 2015
· Last modified May 19, 2024
P22 Chai Tea is unique among brush lettering scripts. Its sweeping strokes and luxurious use of horizontal space lend personality and warmth to any project. Its sturdy letterforms make it ideal for logos, stationery,...