Rongel is a revival in the sense that it adapts a typeface that only existed in a previous and obsolete technology. However, I didn’t try to reproduce or imitate the original model faithfully. Rather...
by Staff · Published May 26, 2015
· Last modified November 16, 2024
This typeface is named after Sarah Eaves, the woman who became John Baskerville’s wife. As Baskerville was setting up his printing and type business, Mrs. Eaves moved in with him as a live-in housekeeper,...
by Staff · Published May 26, 2015
· Last modified October 18, 2015
Initially conceived by Matthew Butterick as a Bulmer revival, Wessex took on characteristics of Baskerville and Caledonia as design proceeded. In 1938, W.A. Dwiggins had taken the hard necessities of the non-kerning line-caster italic...
by Staff · Published May 26, 2015
· Last modified October 6, 2015
Skyline was commissioned from Font Bureau by Condé Nast specifically as headletter for Traveler magazine. This strongly personal work of Imre Reiner from 1929 and 1934 was known in Europe as Corvinus. Skyline Black...
by Staff · Published May 26, 2015
· Last modified October 6, 2015
Early in the 20th century, American commercial lettering took on a new vitality, paralleling the formalities of typography while embellishing and sometimes mocking them. The bible of this trade is probably William Hugh Gordon’s...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Anarcharsis was inspired by incomplete rubbing made from a stone wall located in the Bahamas. The character set was completed and modified to better suit digital type. The imperfections and quirkiness of the hand-carved...
by Staff · Published May 26, 2015
· Last modified October 2, 2015
In the mid-‘80s, Petr van Blokland designed Proforma for Purup, a leading supplier of forms systems. Oldstyle structure provides essential copyfit and legibility, leading ATypI to award Petr the Charles Peignot prize for distinguished...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Phaistos was inspired by the vibrant life in Rudolf Koch’s 1922 Locarno, sometimes called “Eve” in the United States. David Berlow explored the design through 1989 and 1990, proofing and revising the structure of...
by Staff · Published May 26, 2015
· Last modified October 12, 2015
A display family originally designed during the mid-seventies by Jim Parkinson for Roger Black at a growing Rock & Roll magazine. Jim sees it as ‘a combination between the original logo by San Francisco...
by Staff · Published May 26, 2015
· Last modified October 17, 2015
While not a revival in the strictest sense of the word, Niagara recalls the crisp, elegant geometry found in some of the best American styles from the nineteen-thirties and -forties. The four condensed weights...