font_category: Serif

Origami

Origami font

ITC Mendoza Roman

ITC Mendoza Roman font

Lucida

Lucida font

Lucida, designed and produced by Kris Holmes and Charles Bigelow in 1985, is one of the first typefaces designed with both bitmapped display screens and laser printing in mind. Lucida was also one of...

Kinesis

Kinesis font

Kinesis was designed by Mark Jamra. The truly kinetic nature of this typeface makes it as suitable for display settings as for longer blocks of text. Balancing unconventional forms and expressive calligraphic lettering with...

Fairfield

Fairfield font

Another personal version of the Transitional roman designed for Griffith by Rudolph Ruzicka.

Electra

Electra font

This is W.A. Dwiggins’ personal version of the Transitional roman, designed for C.H. Griffith at Mergenthaler.

Egyptienne F

Egyptienne F font

Deberny & Peignot’s elegant humanist slabserif designed as a photocomposition textface by Adrian Frutiger in 1956.

Conga Brava

Conga Brava font

Conga Brava is the work of type designer Michael Harvey, a combination of the high-minded, purist letterforms of revivalist, modern calligraphers with the mundane, even crude, lettering of warehouse stenciling. The resulting lyrical yet...

Cloister

Cloister font

Cloister was designed in 1914 by Morris F. Benton. The characters of the Cloister font family have a small body and are suitable for texts where economy of space is desired.

Cochin

Cochin font

The Cochin font is based on the work of eighteenth-century punchcutter, Cochin. Charles Peignot commissioned the revival of this strong typeface in 1912. The capitals are squarish. The lowercase has long ascenders and sharp...