Caslon 3
The vast popularity of William Caslon’s eighteenth-century types led to a practically endless range of Caslon copies; among them Caslon 540, from American Type Founders in 1902, and Caslon 3, a slightly bolder face...
font_category: transitional
ITC Leawood
ITC Leawood was begun by designer Les Usherwood and finished by his talented staff at Typsettra in Toronto, Canada, after his untimely death. A similar calligraphic series to ITC Usherwood, following alternative options, the...
Miller Banner
Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and...
Kumlien Pro
Kumlien Pro is the revival and expansion of a typeface designed in 1943 by Akke Kumlien, the famed Swedish book designer, poet, author, painter and arts materials expert. At the time, being the first...
Tryst
Tryst is a friendly and elegant contemporary text face, inspired by 18th century transitional types. Individually, the letterforms are soft and organic, but when set together, there’s a refreshing crispness about them. Designed for...
Regent Pro
This modernized rustic Baroque Roman face paraphrases freely its model from the first half of the 18th century. The shape of the letters has been cleared from all unevenness and softness, but has retained...
Cradley
Cradley™, a CastleType original, was inspired by the work of William Caslon, considered by some to be the finest type designer of the Baroque era. With its classic proportions, beautifully bracketed serifs, and high...