Adrian Frutiger’s distinguished and successful 1966 design for the European Computer Manufacturers’ Association improving readability of letters for both machines and humans. OCR-B is replacing OCR-A.
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Neue Frutiger Vietnamese”’ was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Neue Frutiger Thai was created by Anuthin Wongsunkakon and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Neue Frutiger Devanagari was created by Mahendra Patel and Kimya Gandhi and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. It embodies the same warmth and clarity as Adrian Frutiger’s...