Frutiger Capitalis Regular and Outline belong to the group of typefaces for the Linotype’s Type Before Gutenberg project. However, they are not based on direct historical sources. At first glance, they may seem related...
by · Published May 26, 2015
· Last modified May 15, 2024
The origins of the font Versailles go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs....
by · Published May 26, 2015
· Last modified May 15, 2024
In creating Vectora, Adrian Frutiger was influenced by American Gothic styles, especially those of Morris F. Benton’s Franklin Gothic and News Gothic. Vectora is light and balanced, giving text legibility and a harmonious appearance.
by · Published May 26, 2015
· Last modified May 15, 2024
The font family Univers is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even...
by · Published May 26, 2015
· Last modified November 6, 2024
Developed by Adrian Frutiger for Bauer in 1966, Serifa is a slabserif based on the principles that led to the success of Frutiger’s 1956 sanserif, Univers. Glypha, designed by Frutiger for Stempel in 1979,...
by · Published May 26, 2015
· Last modified May 15, 2024
Rusticana is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these...