Pompeijana is a part of the 1990 collection Type before Gutenberg 2’, which includes twelve contemporary typefaces each representative of a particular era. Pompeijana is Adrian Frutiger’s contribution to the project Type before Gutenberg’....
by · Published May 26, 2015
· Last modified May 17, 2024
The powerful original script designed by Adrian Frutiger for Haas in 1954. Although having nothing to do with the subcontinent (the capitals are based on informal Roman inscriptions, the lowercase Frutiger’s own calligraphy), the...
by · Published May 26, 2015
· Last modified May 18, 2024
Adrian Frutiger’s distinguished and successful 1966 design for the European Computer Manufacturers’ Association improving readability of letters for both machines and humans. OCR-B is replacing OCR-A.
by · Published May 26, 2015
· Last modified May 15, 2024
Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture. Effective distribution of this exceptional face has been limited to France. Monotype...
by · Published May 26, 2015
· Last modified May 15, 2024
Herculanum is a part of the 1990 program “Type before Gutenberg”, which included the work of twelve contemporary font designers and represented styles from across the ages. Herculanum is a work of Swiss typeface...
by · Published May 26, 2015
· Last modified May 15, 2024
Glypha was designed by Adrian Frutiger and appeared with D. Stempel AG in 1977. The font consists of ten cuts and is formally based on its predecessor, Serifa, although its lower case letters are...
by · Published May 26, 2015
· Last modified May 15, 2024
In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought he would want to use his successful Univers font...
by · Published May 26, 2015
· Last modified May 15, 2024
The typeface family known as Didot was designed by Firmin Didot in Paris in 1783. The Didot types defined the characteristics of the modern (or Didone) roman type style, with their substantial stems flowing...
by · Published May 26, 2015
· Last modified May 15, 2024
Centennial appeared in 1986 in honor of Linotype’s 100th birthday. The roman and light cuts of the font are reminiscent of the Century typeface, particularly on that of Linn B. Benton and Morris F....