font_designer: Berthold Wolpe

Wolpe Tempest

Wolpe Tempest font

“It looks like it could have been designed last year,” says Toshi Omagari, the lead designer for The Wolpe Collection, about the original Tempest typeface. For Wolpe Tempest™, Omagari drew three weights and additional...

Wolpe Fanfare

Wolpe Fanfare font

“Fanfare is such a fun typeface,” says Toshi Omagari, who revived the design for The Wolpe Collection. “It was my happiest discovery when I was digging through the Monotype archive. I came across it...

Wolpe Pegasus

Wolpe Pegasus font

Wolpe Pegasus™ is full of surprises. Some characters have oversized serifs, others have very different weights, and some even look inconsistent with the other characters in the set. “This is the typeface that taught...

Sachsenwald

Sachsenwald font

Toshi Omagari’s revived Sachsenwald design can be the perfect choice for distinctive headlines and brand identities for music, movies, video games and more. The revised design includes a regular and light weight – maintaining...

Albertus Nova

Albertus Nova font

Albertus® Nova is a faithful digital revival of Berthold Wolpe’s earlier design of Albertus and is one of the five designs in The Wolpe Collection of typefaces. This new design enlarges the typeface set...

Albertus MT

Albertus MT font

Berthold Wolpes set out to make a print typeface when he began work on the font Albertus. First came an all caps alphabet, Albertus Titling, in 1938 he added the lower case letters and...

Flareserif 821

Flareserif 821 font

Albertus

Albertus font

Berthold Wolpe’s innovative design undertaken for Monotype in 1932 suggests the texture of letters cut in wood. Albertus can be seen as Morison’s improvement of Othello, Monotype’s 1928 copy of Neuland, executed by Pierpont.