font_designer: Dan Solo

This is our name for Antique Tuscan, of which there were many variations. This font came from a large lot purchased around 1970 from an east coast newspaper shop. Subsequently, we acquired several more...

This was put together by Dan X. Solo to provide a quick way to set headings for a circus brochure. The name was given in recognition of the Baraboo Circus Museum. The end pieces...

One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point...

In digitizing this old font, we took great liberties with the design, removing some jarring elements. The result reads much more smoothly than the original, retaining the overall character of the original. Hope you...

George Bruce’s New York foundry had a remarkable number of decorative types, most of which were lost or destroyed when the firm was taken over by the American Type Founders Co. and closed down...

This was originally brought out as a caps-only font, but later the foundry scrounged up a lowercase that wasn’t our idea of a very good match. So we cleaned up the caps and made...

This was a favorite of the old time job printers;­ decorative but readable. The MacKellar foundry was the largest and most creative of the old foundries, and decorative fonts like this one came out...

Eastlake was a popular furniture style of the period when the MacKellar, Smiths & Jordan foundry brought out this font. As with many types, we find it difficult to see the connection between the...