font_designer: Dan Solo

When you use this font, be sure to look for the two different sets of end and spacing pieces, one with stars, one without. The ends are on the Bracket and Brace keys, and...

This is Solotype’s alternative sans serif version of the once popular caps-only font Atlanta issued by the Central Type Foundry in St. Louis in 1885. As we often do, we have created a lowercase,...

This popular type was manufactured by the Crescent Type Foundry of Chicago and sold on their behalf by a half dozen other foundries. Introduced in the early 1890s, just as tastes were swinging away...

We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today’s decorative work. Quite readable in all sizes.

This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don’t tell anyone. Please...

Originally issued as Palm from the A. D. Farmer Foundry in New York, about 1887. This is a good early example of the transition from the ruffles and fluorishes of Victorian fonts to the...

Redrawn from a strange type originally made about 1850, and sold by the Connors Foundry, New York. We cannot guarantee that Connors originated it, since they were among the first to have facilities for...

This stylish lightface was designed by Bernd Nadall for Barnhart Bros. & Spindler as a caps-only font in 1895. The lowercase was added at Solotype a hundred years later, resulting in a font quite...

A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.

Many similar fonts existed in Europe around 1900 and a bit before. This one was made at the Wollmer Foundry in Germany and, except for adding the requisite modern monetary symbols and other such...