font_designer: Dan Solo

This is derived from the Marder, Luce foundry’s face called Rivet. A nip and a tuck here and there plus the addition of a lowercase make this into a potentially useful font.

This began life as a European font that was copied in the United States by Bruce’s Type Foundry in 1885. It was caps only and had a fine line “three-D” shadow. We scrapped the...

Apparently original with the Lindsay brothers type foundry in New York shortly before they were merged into the American Type Founders Company. A few characters of the original font have been modified slightly to...

A Barnhart Bros. & Spindler type from the late victorian period. We have been faithful to the spirit of the original buy “calmed down” a few of the lowercase letters to make the lines...

Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like...

Formalized from some hand lettering by the multifaceted Jugendstil designer Bruno Mauder, perhaps better known for his work in glass and ceramics.

An ideal face for blocks of copy when you want them to look old. Very readable. Another faithful rendition of the original from the Keystone foundry. Actually several foundries worldwide offered this font.

Based on one of the earliest Tuscans, from Thorowgood’s foundry. The original was very poorly rendered in 1822, but keep in mind that decorative types were still quite new in the early 1800s. We...

This started out to be a font with an Egyptian hieroglyphic look, but took a detour just beyond the first pyramid. A young lady we know said many of the letters reminded her of...