Shandon Slab adds a new colour to the prominent family of serif-dominant typefaces. A distinctive look with its slightly flowing characteristics sets it apart from most members of the category. The contrasting italic styles...
by Staff · Published February 27, 2020
· Last modified December 28, 2022
Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the...
by Staff · Published February 27, 2020
· Last modified December 28, 2022
Urania is a new approach to early sans serif typefaces, in particular Ferdinand Theinhardt’s types which came out at the beginning of the 20th century. Urania is not an adaption, but a new interpretation...
by Staff · Published February 27, 2020
· Last modified December 28, 2022
Carrara is a highly readable text face with a loose reference to classical transitional types. Carrara was designed 2016. It presents a solid structure which makes it very assertive in text applications. In headlines...
by Staff · Published February 26, 2016
· Last modified December 28, 2022
Marbach is a strong text face, solidly built with a commanding structure. Although firmly situated in the lineage of classic book faces, it features many contemporary graphical elements. It is stable in small text...
by Staff · Published January 11, 2016
· Last modified December 28, 2022
Carnac, a minimalistic monoline face follows the same linear structure as its earlier released, rounded counterpart Carnas. Carnac, however, appears crisp and fresh because of its squared edges and angular contours. It is a...
by Staff · Published October 10, 2015
· Last modified December 28, 2022
Calanda is a forceful, sturdy and dynamic slab serif with distinctly shaped characters. The Calanda family consists of 16 styles and comes in OpenType format with extended language support. Calanda is very well suited...
by Staff · Published June 19, 2015
· Last modified December 28, 2022
Halifax represents a new interpretation of classic English Sans types such as Gill and Johnston. The main focus in this approach is on a more open appearance and balanced proportions, which results in an...
by · Published May 26, 2015
· Last modified October 1, 2015
Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for...