Sister
Our typefaces often reference each other, developing themes others have started. The oblique drawing of Elephant was originally designed as an alternate roman (ie vertical) typeface with features based on a true italic, with...
font_designer: Gareth Hague
Sylvia
Not quite a sister typeface to Aminta, more a cousin.
Text
Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and another for the upper...
Perla
A display typeface, a didot in upper case only, but with a set of decorative alternate characters mixing semi-cyrillic and lower case influences.
Pop
A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.
Progress
Progress is developed from another Alias typeface, Enabler, with purified, rounder, more organic forms to make it suitable for text and bold weights. Progress is a fluid, streamlined and dynamic type for text and...
Metropolitan
Originally developed as a logotype proposal for the Metropolitan Hotel in Park Lane, London. Available in upper case only, Metropolitan is a pure, streamlined, contemporary display typeface.
Metsys
A typeface derived from a logotype designed for New-Age electronic band System 7 in the early 1990s. Metsys is a soft-tech take on the monoline aesthetic. Letterforms are purified, rounded almost abstract graphic shapes.
Jackdaw
A rugged, robust, simple sans serif typeface, constructed from permutations of geometric shapes, with an incised, chiselled aesthetic.
Jude
Simple, angular and incised, Jude mixes the geometric precision of the computer with expressive and intuitive letterforms. The typeface avoids classical references in construction and proportions to produce a bold, modern serif typeface for...