Nota Rounded
»NOTA-rounded« is the rounded version of »NOTA«, the new, narrow, technical font– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding oblique cuts. The »NOTA« families are well suited...
font_designer: Gert Wiescher
Nic
»NIC« (rhymes with “scenic”) is a completely new very elegant grotesk font family that has nice contrast in the up and downstrokes. »NIC« has its own, very special character. The font looks like it...
Moanin
»Moanin« is closely related to my »Julienne«, it has the same (388) set of glyphs that is fit for all European languages. Plus normal and old style numbers and a full set of numerators...
Maxi
Maxi is a very french linear, geometric sans typeface, that can be used in all latin languages. The Maxi Plus has narrow uppercase glyphs instead of lowercase letters and the uppercase glyphs are extra...
Noticia Rounded
Noticia Rounded is the extension of Noticia, my modernistic, constructivist font with that »Bauhaus« feeling. Names like Bayer and Renner come to mind as beacons of that time. Noticia is different in proportions and...
Noticia
»NOTICIA« is my new Sans based on the modernistic, constructivist letterforms of the »Bauhaus« era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. »NOTICIA« is different...
Julienne Piu
»Julienne Più« is the new version of my Julienne, it has a much bigger (388) set of glyphs that is fit for all European languages. Plus normal and old style numbers and a full...
Docu
»DOCU« is my font for everything »office« and »document«. It’s narrow, yet open design is perfectly suited to put a lot of text into small areas. The fonts in the DOCU family have phantastic...
Classic Sans Rounded
»Classic Sans Rounded« is the brother of the mother of all »Sans« typefaces. I designed the rounded version because there seems to be a need for soft SANS typefaces and I like them very...
Classic Sans
»Classic Sans« is the Mother of all »Sans« typefaces. Around 1880 Ferdinand Theinhardt designed this Grotesk for use in scientific publications. By designing his font for the »Royal-Prussian-Academy of Sciences in Berlin« Ferdinand Theinhardt…