German type designer Ingo Preuss created this family between 2014 and 2016. Instance is a new classic built on the foundation of over two centuries of history. Fresh and contemporary, while feeling familiar. This...
by Staff · Published April 11, 2019
· Last modified December 27, 2022
Arventa was designed to be highly legible and flexible. Arventa offers a high quality alternative to contemporary humanist sans serifs and is a flexible family for editorials and corporate branding. Arventa comes in seven...
by Staff · Published January 11, 2016
· Last modified December 27, 2022
German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in...
by Staff · Published January 11, 2016
· Last modified December 27, 2022
German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in...
by Staff · Published January 11, 2016
· Last modified December 27, 2022
German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in...
by Staff · Published January 11, 2016
· Last modified December 27, 2022
German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in...
by Staff · Published July 14, 2015
· Last modified December 27, 2022
Johann Carl Ludwig Prillwitz, the German punch cutter and type founder, cut the first classic Didot letters even earlier than Walbaum. The earliest proof of so-called Prillwitz letters is dated 12 April 1790. Inspired...
by Staff · Published June 6, 2015
· Last modified December 27, 2022
Whenever I’ve stayed in Munich my friend Michael Bundscherer and I go on a typographical expedition. When we talk about that, we remember the bygone world of sign painter. On one of the facades...
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Scrap is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The font is available in two weights and was...
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Funny Bones is part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests of 1994 and 1997. The font was designed by the German artist Ingo...