Sturdy and humane, Armitage renders type with vintage American warmth. Even with a subtle sparkle, Armitage stays humble to let words work. Rather than build on recent trends, Armitage starts over, derived from designs...
by Staff · Published May 26, 2015
· Last modified September 28, 2015
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor. Sybarite is James Puckett’s...
by Staff · Published May 26, 2015
· Last modified October 16, 2015
Lorimer No 2 is a sans family designed for display settings. Narrow letters, tight spacing, and a low x-height make Lorimer No. 2 better suited to display settings than fonts adjusted to work in...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Lorimer No 2 is a sans family designed for display settings. Narrow letters, tight spacing, and a low x-height make Lorimer No. 2 better suited to display settings than fonts adjusted to work in...
by Staff · Published May 26, 2015
· Last modified September 29, 2015
Gigalypse is a one-weight workhorse. As a square sans Gigalypse can look smart, serious, and even futuristic. Round corners and curved sides add warmth and humor tempered by sophisticated geometry. This soft sophistication makes...
by Staff · Published May 26, 2015
· Last modified February 27, 2020
The Becker Gothics pay homage to the nineteenth century American lettering master George Becker. Designer James Puckett has given new life to the ingenious gothic alphabets found in Becker’s 1854 lettering manual Ornamental Penmanship....
by Staff · Published May 26, 2015
· Last modified October 9, 2015
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design challenges. Fine light weights...